Can you make art by algorithm?

A new exhibition seeks to discover whether art can be written by rules.

Art often breaks convention, forcing new perspectives upon its audience, subverting axioms and accepted truths. Simply creating art is recognized as a radical act in a society founded on stringent rules. Art is so often considered a deviation.

Programmed, a new exhibition at the Whitney Museum of American Art explores artwork that refuses to break the rules. The show, which includes works created between 1965 and 2018, establishes connections between works of art based on instructions. The pieces on display are all “programmed” using instructions, rules and code. Beyond owing their form and aesthetic to those rules, they inherently question the use of programming in their creation, challenging our understanding of art as an emotionally-driven, deeply human practice.

At a time when our world is increasingly driven by automated systems, Programmed traces how rules and instructions in art have both responded to and been shaped by technologies, resulting in profound changes to our image culture.

W. Bradford Paley (b.1958), Code Profiles, September 2002. Java applet. Commissioned by the Whitney Museum of American Art for its artport website AP.2002.11
Tamiko Thiel (b. 1957) (with /p), Unexpected Growth, 2018. Augmented reality installation, healthy phase. Commissioned by the Whitney Museum of American Art
Casey Reas (b.1972), {Software} Structures #003 B, August 2004/2016. Java, Adobe Flash Player. Commissioned by the Whitney Museum of American Art for its artport website AP.2004.5
Josef Albers (1888-1976), White Line Square VI, 1966, from the portfolio White Line Squares (Series I). Lithographs: sheet, 20 11/16 x 20 11/16 in. (52.5 x 52.5 cm); image, 15 11/16 x 15 11/16 in. (39.9 x 39.9 cm). Whitney Museum of American Art, New York; gift of the artist 67.14.6. © 2018 The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York
Nam June Paik (1932-2006), Fin de Siecle II, 1989. Video installation, 201 television sets with four laserdiscs, 168 x 480 x 60 in. (426.7 x 1219.2 x 152.4 cm). Whitney Museum of American Art, New York; gift of Laila and Thurston Twigg-Smith 93.139. © Nam June Paik Estate
Sol LeWitt (1928-2007), Wall Drawing #289, 1976. Wax crayon, graphite pencil, and paint on four walls, dimensions variable. Whitney Museum of American Art, New York; purchase with funds from the Gilman Foundation, Inc. 78.1.1-4. © 2018 Sol LeWitt/Artists Rights Society (ARS), New York